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Here is the Table of Contents for JUMP CUT No. 40 which was published in March, 1996. You can get this issue by sending $8.00 (abroad $10) to JUMP CUT. We expect to publish JC #41 next winter sometime. Subscribe and don't miss an issue.
Hollywood realities: HOOP DREAMS (Steve James, 1994)
Lee Jones
A short history of Disney-fascism: THE LION KING (Robert Minkoff and Rogers Allers, 1994)
Matt Roth
Imperial travels in WIDE SARASSO SEA (John Duigan, 1992)
Carey Snider and Eric Anders
PBS's postmodern museum
Laura Denham
Total exlipse ofhe SUN: interview with Guy Aoki (RISING SUN, Phillip Kaufman, 1993)
Robert Payne
Black autobiographical documentary: FINDING CHRISTA (Camille Bilops
and James Hatch, 1991) and IN SEARCH OF OUR FATHERS (Marco Williams,
1992)
Jim Lane
The queer as producer: THE MAKING OF 'MONSTERS' (John Greyson, 1991)
R. Bruce Brassell
INTERNATIONAL PERSPECTIVES
Character, context, and the Wolof language in MANDABI (Ousmane Semene, 1968)
Sada Niang
Returning to the African village: SANGO MALO (Bassek Bakhobio, 1991) and TA DONA (Adama Drabo, 1991)
Johathan Haynes
Colonial oservations: interview with Claire Dennis
Mark Reid
Working class girls and popular music in Taiwan
Fang-Chih Yang
BOOK REVIEWS
Hard men, soft men--cinematic manliness: reviews of Men, Women and Chainsaws: Gender in the Modern Horror Film and Hard Bodies: Hollywood Masculinity in the Reagan Era
Marian Jebb
Model for European TV and national identity--instructiions for assembly not incuded: review of National Identity and Europe: The Television Revolution
Richard Maxwell
Radicalizing multiculturalism: review of Unthinking Eurocentrism: Multiculturalism and the Media
Ilene Goldman
TEACHING SEXUAL IMAGES
Introduction
Chuck Kleinhans
Pornographies, pleasures and pedagogies in he U. K. and the U.S.
Pat Kirkham and Beverley Skeggs
Stepping across Broadway: media scholars teaching pornography
Ramona curry
Some pragmatics in teaching sexual images
Chuck Kleinhans
Teaching the Body Course
Kate Kane
Straight women, gay porn, and the scene of erotic looking
Laura U. Marks
THE LAST WORD
